846 |
Oak eight day longcase clock with five pillar movement, the 12" square brass dial signed Henry Swain, Hillperton, the matted centre with subsidiary seconds dial and calendar aperture, the fielded panelled long door fitted with a lenticle, surmounted by a stepped caddy cornice over a blind foliate fret carved frieze, 88" high |
Nil |
|
|
847 |
Oak thirty hour longcase clock, the 11" square brass dial signed S. Collings, Bristol, with matted centre, the case with long door surmounted by a broken swan neck pediment, 84" high |
Nil |
|
460 |
848 |
Oak eight day longcase clock, the 11.25" square brass dial signed Joseph Atkinson with matted centre and recessed calendar dial, the carved case with long arched door surmounted by a stepped caddy top and two brass ball and spike finials, 84" high |
Nil |
|
520 |
849 |
Good Irish mahogany eight day longcase clock, the 13.5" square brass dial signed Edmund Cogan, Dublin on the silvered chapter ring, the matted centre with subsidiary seconds dial and calendar aperture, the case with medium sized arched shaped door inlaid with boxwood lines and flanked by fluted quarter columns over two inlaid rectangular panels, the hood surmounted by an architectural broken arch pediment over a Greek key carved frieze, 93" high |
Nil |
|
|
850 |
Oak regulator, the 14" circular cream dial signed Robert Smith, North-Berwick, with subsidiary seconds dial, the movement with dead beat escapement and maintaining power, the plain case with long moulded edge door and surmounted by an arched pediment 81" high |
Nil |
|
1000 |
851 |
Oak thirty hour longcase clock, the 12" arched dial indistinctly signed, with subsidiary seconds dial, calendar aperture and painted with rural scenes, within a Provincial panelled case surmounted by a pierced arched cornice, 86" high |
Nil |
|
165 |
852 |
Mahogany longcase regulator, the movement with dead beat escapement and maintaining power, the 14" white circular dial within a flamed tapering case with glazed door and surmounted by an architectural moulded arched pediment, 89" high |
Nil |
|
|
853 |
Oak thirty hour longcase clock, the 10" square brass dial signed Thomas Seward, Barnet, with subsidiary alarm dial to the matted centre, the plain case with long door surmounted by a moulded stepped cornice, 77" high |
Nil |
|
420 |
854 |
Mahogany thirty hour longcase clock, the 12" painted square dial signed William Carter, Salisbury, with subsidiary seconds dial and calendar aperture, the case with short door, surmounted by a swan neck pediment, 80" high |
Nil |
|
|
855 |
Oak thirty hour longcase clock, the 8" square brass dial with matted centre and single hand within a Jacobean style narrow case with deep recessed moulded sections, surmounted by a stepped cornice over floral lunettes, 74" high |
Nil |
|
|
856 |
Good mahogany eight day musical longcase clock, the 12" brass arched dial signed J. Chiltors, London on a boss to the arch over the matted centre with subsidiary seconds dial and calendar aperture, the substantial movement playing on eight bells and fitted with an eight bells/four bells lever at three o'clock on the dial plate, the case with long arched flamed door with reeded moulded edge flanked by ormolu mounted fluted quarter columns and surmounted by a wavy arched cornice with three brass ball and spike finials (one missing), 84" high |
Nil |
|
|
857 |
Oak and mahogany eight day longcase clock, the 13" painted arched dial indistinctly signed with subsidiary seconds dial and calendar aperture, the case with crossbanded long door flanked by fluted pillars and surmounted by a broken swan neck pediment with dentil frieze, 86" high |
Nil |
|
|
858 |
Pine thirty hour longcase clock, the 10" square brass dial signed George Washbourn, Gloucester on the foliate engraved silvered centre, the case with long door surmounted by a moulded stepped cornice, 80" high |
Nil |
|
|
859 |
Mahogany eight day longcase clock, the 12" silvered arched dial signed James Evill, Bath, with strike/silent dial to the arch over a subsidiary seconds dial and calendar aperture, the case with long wavy door flanked by fluted pilasters, surmounted by an arched fluted cornice inlaid with three conches, 88" high |
Nil |
|
820 |
860 |
Mahogany eight day longcase clock, the 12" brass arched dial signed Andrew Clark, Bath on a silvered boss to the arch over a matted centre, subsidiary seconds dial, calendar aperture and four seasons figural spandrels, the case with long wavy arched door flanked by quarter fluted ormolu mounted columns and surmounted by an arched stepped moulded cornice, 92" high |
Nil |
|
|
861 |
Oak and mahogany eight day longcase clock, the 14" painted arched dial signed James Powell, Worcester, moon phase to the arch, subsidiary seconds and calendar dials, the case with short door crossbanded with mahogany and inlaid with boxwood and ebony lines, flanked by quarter fluted ormolu mounted Corinthian columns, the hood also inlaid with boxwood lines and chequered banding, surmounted by a broken swan neck pediment with pressed rosettes and two ball and eagle finials, 100" high |
Nil |
|
|
862 |
Scottish mahogany eight day longcase clock, the 14" painted arched dial signed M Kaiser, Glasgow, with subsidiary seconds and calendar dials, painted with rural scenes to the arch and spandrels, the case with banded inlays and short wavy door, surmounted by a swan neck pediment with stylised embossed floral roundels, 89" high |
Nil |
|
|
863 |
Walnut and mahogany eight day longcase clock, the 12" brass arched dial signed Johnson, Plymouth Dock, engraved with Neptune to the arch over a recessed subsidiary seconds dial and calendar aperture, the case with long arched door inlaid with boxwood lines and flanked by quarter cabled columns, surmounted by a moulded stepped arched cornice with three spike and ball finials (one missing), 88" high |
Nil |
|
880 |
864 |
Oak eight day longcase clock, the 12" square brass dial signed Joseph Cooper, Whitchurch on the silvered chapter ring, the matted centre with subsidiary seconds dial, ringed calendar aperture and ringed winding holes, the case with long moulded edged carved door fitted with a lenticle, surmounted by a moulded stepped cornice, 83" high |
Nil |
|
950 |
865 |
Good mahogany eight day longcase clock with five pillar movement, the 12" brass arched dial signed William Stapleton, London on a circular silvered boss to the arch, with subsidiary seconds dial and calendar aperture, the flamed case with long arched door surmounted by an arched wavy cornice with three turned finials, 88" high |
Nil |
|
|
866 |
Mahogany eight day longcase clock with five pillar movement, the 12" arched brass dial signed James Fenton, London on an arched shaped plate to the matted centre with recessed subsidiary seconds dial, calendar aperture and strike/silent dial to the arch, the case with long arched moulded door surmounted by a foliate pierced arched moulded cornice, 91" high |
Nil |
|
|
867 |
Walnut eight day longcase clock, the 12" brass arched dial signed Richard Penny, London on the silvered chapter ring, with highly engraved foliate arch over the matted centre with subsidiary seconds dial, ringed calendar aperture and ringed winding holes, the case with long arched feather banded and cock beaded door surmounted by a moulded arched pediment, 87" high |
Nil |
|
1600 |
868 |
Fine Sheraton revival mahogany and satinwood three train musical longcase clock, the six pillar movement playing and striking on nine tubes, the 15.5" x 14.5" silvered dial signed S. Smith & Son, 9 Strand, London with subsidiary seconds dial, foliate engraved centre and chime/silent and eight bells/four bells levers at three o'clock, the impressive case with long arched door inlaid with vases of flowers, scrolling foliage, harebells and swags in various coloured woods flanked by two foliate carved columns, surmounted by a gadrooned and inlaid caddy cornice and turned urn finial, 107" high |
Nil |
|
|
869 |
Fine walnut marquetry eight day longcase clock, the 11" square brass dial signed Thomas Johnson, Rattcliff Cross on the silvered chapter ring, the matted centre with subsidiary seconds dial, calendar aperture and ringed winding holes, with five pillar movement, the case with long beaded moulded door fitted with a gilded lenticle, decorated overall with birds amidst floral marquetry panels, surmounted by a moulded stepped cornice over a blind foliate fret carved frieze and spiral twist columns, 81.5" high |
Nil |
|
|
870 |
Fine and rare mahogany longcase regulator by Arnold & Dent of London, the five pillar movement with dead beat escapement maintaining power and jewelled pallets, the 11" square silvered dial signed Arnold & Dent, Strand, London with subsidiary seconds and hour dials, the movement with mahogany dust cover and mercury pendulum, the flamed mahogany case with panelled long door and simple fluted and gadrooned friezes, surmounted by a slightly domed pediment, no. 362 pencilled inside the left hand side of the case, 74.5" high |
Nil |
|
|
